Appropriating Japonisme at the 1900 Exposition: Sada Yacco, Loie Fuller, and the 'Geishas' of Le Panorama du Tour du Monde
![Full article: Appropriating Japonisme at the 1900 Exposition: Sada Yacco, Loie Fuller, and the 'Geishas' of Le Panorama du Tour du Monde Full article: Appropriating Japonisme at the 1900 Exposition: Sada Yacco, Loie Fuller, and the 'Geishas' of Le Panorama du Tour du Monde](https://www.tandfonline.com/cms/asset/3a130a8a-0ab4-4f42-9623-8a0042337282/ydix_a_1794449_f0010_ob.jpg)
Full article: Appropriating Japonisme at the 1900 Exposition: Sada Yacco, Loie Fuller, and the 'Geishas' of Le Panorama du Tour du Monde
![Full article: Appropriating Japonisme at the 1900 Exposition: Sada Yacco, Loie Fuller, and the 'Geishas' of Le Panorama du Tour du Monde Full article: Appropriating Japonisme at the 1900 Exposition: Sada Yacco, Loie Fuller, and the 'Geishas' of Le Panorama du Tour du Monde](https://www.tandfonline.com/cms/asset/f4ad98a7-bcac-4f4e-86f2-375d5a3b8623/ydix_a_1794449_f0001_oc.jpg)
Full article: Appropriating Japonisme at the 1900 Exposition: Sada Yacco, Loie Fuller, and the 'Geishas' of Le Panorama du Tour du Monde
![Madame Desoye, “First Woman Importer” of Japanese Art in Nineteenth-Century Paris in: Journal of Japonisme Volume 5 Issue 1 (2020) Madame Desoye, “First Woman Importer” of Japanese Art in Nineteenth-Century Paris in: Journal of Japonisme Volume 5 Issue 1 (2020)](https://brill.com/view/journals/joj/5/1/24054992_005_01_s001_i0008.jpg)